Jana Pacheco is a playwright and stage director and performer. Her work has focused on the concept of generation and genealogy of women through visual dramaturgy and the body as a memory archive. She has directed biographical works such as Rosario de Acuña. Bursts of Uracán; (Teatro Valle-Inclán, Centro Dramático Nacional, 2019) The tomb of María Zambrano -poetic piece in a dream- (Teatro Valle-Inclán, Centro Dramático Nacional 2018) for which she received second prize at the Torrejón Festival of Stage Directors from Ardoz; or Camille (Teatro de la Puerta Estrecha, Madrid, 2016), for which she received the Best Set Design award at the TEA Festival (Toledo Escena Abierta). In 2019 she specializes in inclusive projects, whose purpose is to promote accessibility in culture: Women! To the assembly (National Museum of Roman Art of Mérida, 2021) I wish then I am (21 districts program - Madrid City Council and Carmen Thyssen Museum of Málaga, 2021) Blinks (Reina Sofía National Museum Art Center, 2019), or Voice in voice, (Imagina Madrid, Intermediae-Matadero Madrid, 2019). As a pedagogue, she has created her own school El Palomar Itinerante, where she teaches workshops related to Visual Dramaturgy, Performance and Accessible Theater in collaboration with different institutions such as the Malaga Provincial Council, the University of Malaga, the Alcalá de Henares City Council, the City Council from Madrid, etc.

A graduate in English Philology with a Master's degree in Linguistics (University of Santiago de Compostela).She received the ETC grant for her solo performance at the Cuarta Pared theater festival in 2022. She was a finalist in the 2020/21 Drama Residency at the National Drama Center (CDN).She was selected as a poet for the Ámeto Mítico residency (2019) at the Uxío Novoneyra Foundation.She received a grant from the Community of Madrid (2018) to create her play *Run baby run*.She has published three books of poetry: *Ouveos/Aullidos* (Seda de Biso, 2020), *Ninfopoética* (Urutau, 2018), and *Vestida de domingo* (Romania Minor, 2011).

She began her acting training at the University of Santiago de Compostela's Theater Workshop in 2005. She is a co-founder of the university theater company As Fillas de Lilith, which adapted Fassbinder's *The Bitter Tears of Petra von Kant* into Galician.In 2007, she moved to Madrid, where she studied drama at several schools and participated in workshops on stagecraft, acting, and playwriting with Pablo Remón, Sergio Blanco, Andrés Lima, Jana Pacheco, Marta Pazos, and Carlos Tuñón, among others.

In her company, La Méduse, founded with Tatiana Carel, she is a co-playwright and actress in *Mi verano en burkini* (2021) and *Tsunami* (2018), which premiered at the Noches del Ramadán Festival.In 2016, she and Tatiana Carel were finalists with *Tsunami* in the “1st Choreographic Competition 'Danza en Valores' of the Primario Association” at the C.A.V.La Neomudéjar Museum in Madrid.
She founded Meninas Teatro in 2012 with Brazilian actress Cynthia Pagotto.She writes and acts in plays such as *Androsex* (2013), which premiered at the Sala Triángulo in Madrid.She wrote and starred in *No sin mi libro* (2015) and *Avon llama a tu puerta* (2016).She has acted in numerous other plays, including *Maleca* and *En el espejo* by Víctor Sánchez Alonso (Fiesta Corral de Cervantes, Madrid).
She was part of the Poetic Brothel collective and has performed at many poetry festivals, such as the Kerouac Festival in Mexico and New York in 2022, SELIC in 2020, the Bowery Poetry Club's "Se buscan poetas" (New York), Culturgal, the 5th Festival dos Eidos in 2019, and the 8th Kerouac Festival in 2018. She is also the programmer and presenter of poetry at SilFest Valdeorras.