• From 'LA TARTANA TEATRO'
  • Teatro de Títeres
  • Público Juvenil y Adulto (a partir de 12 años)
  • Creado por Carlos Cazalilla

ABOUT THE HANDS

A place of admission is the metaphor of the closing mind, imagination and dreams. The monitoring and control ensure the system of exploitation where the most valuable are the hands of inmates. But not everyone has accepted the enclosure. Some of them are trying to hide a dangerous way to escape isolation.
This work mixes puppets, robots, actors, shadows and projections to transport us to the bleak scenery. A puzzle where each piece bears the stamp of a research process created and directed by Carlos Cazalilla, offering us his debut .The modern work with fusion of disciplines, theater and audiovisuals. Alarms, shock, loud noises are futuristic area in which are moving these two characters, table top puppets, which clearly show his anguish and fear. They move through a place that is the evidence of working of this great machine. Through his characters, this first Lafauna work in collaboration with the veteran troupe La Tartana, will tell us how the alienation and enclosing may not be barriers to the human imagination and how the pursuit of beauty is combating system suffocation. And so, after a long period of development and rehearsal process, at last, comes over this eminent shiver.

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ARTISTIC SHEET

INTÉRPRETES/MANIPULADORES: JUAN MUÑOZ Y CARLOS CAZALILLA
ILUMINACIÓN: JUAN MUÑOZ
ESCENOGRAFÍA: RICARDO AMADO PALOMINO & TEATRO LAFAUNA
CONSTRUCCIÓN DE TÍTERES Y AUTÓMATAS: CARLOS CAZALILLA
VESTUARIO: INÉS MAROTO
ESPACIO SONORO: CARLOS CAZALILLA
FOTOGRAFÍAS Y DIAPOSITIVAS: MIGUEL PALOMINO

VIDEO: LUIS MARTÍNEZ
COPRODUCCIÓN: TEATRO LAFAUNA & LA TARTANA TEATRO
DISTRIBUCIÓN: PROVERSUS
IDEA Y DIRECCIÓN: CARLOS CAZALILLA



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The company

About 'La Tartana'

La Tartana La Tartana, a company specializing in puppet theater for children and families, has unquestionable artistic value, has won multiple awards and recognitions for its work, and has always been involved in the transformation that the theater world has undergone since La Transición. A pioneer since the late 1970s, creator of the first Madrid Street Festival, presenting the Odín Teatre in Spain and creator of the Pradillo Theatre. La Tartana has been a company, not only concerned with its artistic work, but has also paid special attention to the social value of theater, as well as collaborating with and helping other companies and creators. A stable creative research team in constant search of new forms of expression has made this company at the forefront of its genre.

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Funded by the European Union-Next Generation EU
Project financed by INAEM, Ministry of Culture and Sports